Thursday, 10 October 2019

Paul Cauthen - Room 41, album review


Creatures

This is a great album – Cauthen singing in the boom of a Waylon [it is inescapable to namecheck], songs written with a soulful finesse that incorporate the most surprising instrumental accompaniments: bubbles bubbling electronically in Freak – that is until the sax assaults with its conventional sass – or the other electronics I can’t identify [reminds of a latter Isley Brothers sound] in Can’t Be Alone, a beautiful and powerful defiance against isolation. You want some Joe South swamp-funk? Then check out Cocaine Country Dancing stomping through early hour time-checks of lyrical uncertainties of want, apart from the dancing with you. There is a lot of early morning want and yearning and reflection when cocaine meet[s] tequila, experiences of coming-to-terms after the partying has ceased, this often in Room 41 of the Dallas Belmont Hotel, that moveable feast of accommodation which doesn’t provide the creature comforts of a proper home, just the creatures. 


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