Ralph McTell and Wizz Jones, live at The Beehive, Honiton, 10th February, 2017, gig review

Memorable

Ralph McTell and Wizz Jones each have their individual legendary status, and playing together there is such a depth of talent and experience to provide. And they did. In summary, the two hours of performance were delivered as a charming, anecdotal narrative of their individual and shared musical roots and experiences, illustrated then by the songs, either independently or shared. Each continually conveyed genuine humility as well as mutual appreciation, and at this purely personal/personality level, the two were engaging, warm, humorous, and also instructive about musical history, from songwriting and songwriters to guitar techniques.

One pervasive impact from the night, for me at least, was a sense of history and context. Without overstating – indeed, far from it – a few of the songs reflected poignantly, and sadly, on current events, for example the performance of Willy Guthrie’s Deportee about Mexican migrants working in the USA and then sent back home once their hard work and exploitation of that had been completed,

The sky plane caught fire over Los Gatos Canyon,
A fireball of lightning, and shook all our hills,
Who are all these friends, all scattered like dry leaves?
The radio says, "They are just deportees"

Is this the best way we can grow our big orchards?
Is this the best way we can grow our good fruit?
To fall like dry leaves to rot on my topsoil
And be called by no name except "deportees"?

Another, Pete Seeger’s He Lies in American Land, tells the story of an immigrant man, husband and father, who travels on his own from Europe to work in Pennsylvania, in McKeespot making steel, but dies before his wife and family arrive to join him. As McTell and Jones didn’t need to extrapolate further to make the broader, contemporary relevance, I won’t, but when this Seeger song was song, the weight of current events made the performance resonate with sadness, and more,

  

Ah, my God what is this land of America?

So many people travelling there
I will go too for I am still young
God the Lord will grant me good luck there

Wizz Jones at 77 still plays a mean guitar, and this came to the fore on his solo of Mance Lipscomb’s ‘Bout a Spoonful [which made me recall my comments here on Dixon’s song performed by Cream], an authentic sense of the blues brought alive in his playing. Another sweet song he played was Night Ferry, and he also played When I Leave Berlin, recounting then and throughout the gig his and Ralph’s time playing in Germany, and also recounting how Springsteen played this at his Berlin gig in 2012, without acknowledging Wizz as the writer. He did so with a laugh, and I think it was a genuine dismissal from a genuine great.

Ralph McTell at 73 also played some gorgeous guitar, a great blues on his The Ghost of Robert Johnson, and once on his 12 string. The highlight of his on the night, and I am astonished I didn’t know the song – but I do now, and throughout this morning with repeated listens – was the beautiful From Clare to Here. McTell’s voice has over the years settled to a resonating bass and it was wonderful to hear the fulsome delivery live. Both he and Jones told anecdotes of how they came across songs of theirs [as with FCTH] in songbooks stated as traditional Irish songs. Again, in that shared humility which ran throughout the night, they expressed complete satisfaction with this.

A memorable night.

Scroll down just beneath this for videos of two great performances.

ODi - Boston Tea Party, Honiton, 28th August, 2014

ODi Ascending

Ahead of reviewing two cds by this superb duo, picked up at last night’s gig, I’ll comment on the great pleasure of seeing ODi in the intimate setting of the Boston Tea Party. It was intimate because of the coffee house venue but also the small audience, and my view of the latter is it was our special enjoyment to experience such a close and personal performance, and others’ loss for having missed.

ODi is Claire Odlum and Dave Redfearn, and in live performance last night played an acoustic set. As a male/female harmony duo they slot neatly into a popular format currently in some ascendance [The Civil Wars - though recently split - Carrie Elkin & Danny Schmidt, Shovels & Rope – more Country and heavy, I know – Angus & Julia Stone, to pull out a quick four at random]. In the unadorned context of such an acoustic set, ODi’s sweet songwriting [as well as covers], sweet singing and sweet symbiosis as a musical pair shone, and for what it’s worth I would say they hold their own in that duo-niche with confidence and considerable charm. I will write more about their music when reviewing the cds I now have, enjoying listening to Maslow’s Songbook as I write.

We were treated to a delightful sample of their music to date, and this included the excellent One in a Million, Something Beautiful which, we were told, is a hit in Turkey, the lovely A Superman, and covers of Dylan’s It Ain’t Me Babe and closing on Springsteen’s I’m On Fire, both beautifully done in their acoustic simplicity, but full of the inherent emotion in each song because of the empathy in performance. We all have our individual tests and touchstones in judging the impact of an act: for me, ODi’s broad if not surprising influences obviously endear, and their felicitous performance live as a duo – instinctive, talented and totally unaffected – make them and this gig genuinely memorable.