SUSS - SUSS, album review

Gentle Pedal

This is a collection of EPs, or simply a collection across time of this haunting ambient country, which I first heard and reviewed then here.

This continuance is graced yet again by the pedal steel, but also all the other instrumentation, like simple acoustic guitar on That Good Night which strums in and out of the echoing, a sound that one visualises across a scenic expanse of that sound. A banjo joins later.

There are many emotions prompted across this collection's 21 tracks, but above all it is the soothing that swells over my aural landscape. I should qualify that in referencing the plaintive too, and this is a reflection of loss as with a founding member who recently passed - and it includes the more ruminative intentions of the music as it arcs across our troubled times. 

Read more and get it here.

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numün - Book of Beyond, album review

 Found Poetic Empathy

 

 

No Face Music 64

 

Meg Baird - Furling, album review

Beautiful Touch

There is ethereal music as on the wordless vocal of opener Ashes, Ashes where piano and drum beat out a background mantra. When there is folk singing as on Star Hill Song, it too is ethereal but in the gorgeous rather than ghostly sense, and these two beginnings set a prettiness for all to follow. Beautiful harmonies soothe with the unfurling of more sweetness on third Ship Captains, and fourth Cross Bay has sublime acoustic guitar reminding of an era long before that Meg Baird continues to honour with her musically nostalgic continuance – on this track especially, and through the vocal, an echo of early Joni Mitchell. The rest is more touching the touchstones.

 

Two Faces Music 35

 

Some Awe’s Best of 2022

No Longer Anonymous Awe

Courtney Marie Andrews - Loose Future   

Bitchin Bajas - Bajascillators

*Bastards Of Soul - Corners

Weyes Blood - And in the Darkness, Hearts Aglow

Joe Bonamassa - Road to Redemption

Jessie Buckley/Bernard Butler - For All Our Days That Tear the Heart

Christine and the Queens - Redcar les adorables étoiles

Cowboy Junkies - Songs of the Recollection

Kiki Dee, Carmelo Luggeri - The Long Ride Home

The Delines – The Sea Drift

The Delta Sound - Things Gonna Change

Jasdeep Singh Degun - Anomaly

*DeWolff & Dawn Brothers - Double Cream

Drive-By Truckers - Welcome 2 Club XIII

Steve Earle & The Dukes - Jerry Jeff

Dr Feelgood - Damn Right!

Jeff Finlin - Soul on the Line

First Aid Kit – Palomino

Richie Furay - In the Country

Gabriels - Angels & Queens Part I

Gaye Su Akyol - Anadolu Ejderi

The Greg Foat Group - Blue Lotus

Matthew Halsall - The Temple Within

Ibeyi - Spell

Shawn James - A Place in The Unknown

Alicia Keys - KEYS II

* Mamas Gun - Cure the Jones

Marcus King - Young Blood

Jim Lauderdal - Game Changer

*Bruno Mars/Anderson Park – Silk Sonic

Bob Marley - Bob Marley & the Chineke! Orchestra

Christine McVie - Songbird (A Solo Collection)

Nazareth - Surviving the Law

Old Crow Medicine Show - Paint This Town

Ozzy Osbourne - Patient Number 9

Pointless Beauty – Hearts Full of Grace

Cat Power - Covers

Bonnie Raitt - Just Like That

Leann Rimes - God's Work

Sarah Shook & the Disarmers – Nightroamer

Sonny Singh - Chardi Kala

Amy Speace – Tucson

Katie Spencer - The Edge of the Land

Bruce Springsteen - Only the Strong Survive

Tedeschi Trucks Band – I Am the Moon

*The Temptations - Temptations 60

*Thee Sacred Souls - Thee Sacred Souls

Robin Trower - No More Worlds to Conquer

Loudon Wainwright III - Lifetime Achievement

Jack White - Fear of the Dawn

Snowy White - Driving On The 44

Wet Leg - Wet Leg

Edgar Winter - Brother Johnny

Neil Young & Crazy Horse - World Record

 

*Soul/nu-Soul albums: a particular trend for the year in my listening – all of these had a special appeal.

 

Top Ten

 

The Delines – The Sea Drift

 

Another of Willy Vlautin’s songstory after songstory narrating the lost or atrophying lives of ordinary people, wrapped in an ironic beauty of performance.

 

Ozzy Osbourne - Patient Number 9

 

Every overblown cliché of OO/Black Sabbath is retro-riffed in the most glorious pomp and hyperbole possible. May well have listened to this more than any other in 2022. Clears the heads and makes me smile.

 

Edgar Winter – Brother Johnny

 

Where Osbourne’s is absurdly sublime, this is simply sublime: a powerful musical and personal tribute from brother to brother, built of course on the strongest of legendary songs. Love it.

 

The Delta Sound – Things Gonna Change

 

Indie with blues, this latter played in a number of polished guitar breaks; these are songs that consistently rock and with occasional affecting balladry – another I have listened to many times.

 

Pointless Beauty – Hearts Full of Grace

 

‘This is a beautiful album, graced by rumination and reflection in its many serene sounds (though there is also sass and funk) which emanate from the strange and unusual times of its playing and production as expressed by Al Swainger in his notes of February ‘22.’ (from my review)

 

Katie Spencer – The Edge of the Land

 

Gorgeous nostalgia in its echo of Pentangle, Jansch, Renbourne et al. Long may such homage but also individuality continue.

 

Jessi Buckley/Bernard Butler – For All Our Days That Tear the Heart

 

Beautiful vocals, and Buckley (naturally of particular interest) steps seamlessly outside superb acting into superb musical performance.

 

Sonny Singh - Chardi Kala

 

There may/will be those who dislike the ‘western’ echoes and influences on the Punjabi roots, but I am more than happy with the appropriations and pop sensibilities.

 

Bob Marley - Bob Marley & the Chineke! Orchestra

 

I know, but a manufacturing merging released this year and I find it a joyous listen that I once more returned to again and again.

 

Tedeschi Trucks Band – I Am the Moon

 

Just quality songcraft and musicianship song after song after song.

 

 

Two Faces Music 34

 

Blue Magic - 13 Blue Magic Lane, album review

Falsetto Howl

from 1975, this is original soul: that is, if you accept its full copy of The Stylistics, and I do.

I've read it called a Halloween album, but I'm guessing that's entirely based on third track Born on Halloween which does begin with a howl, but it then transforms not into a werewolf but the falsetto of so much of the whole. So it too is a sweet, harmonious ballad in the Philly mood and mold. That fourth Haunted by Your Love may be a prompt for some to stick with the Halloween theme says more about an inability to grasp metaphor than take note the actual romatic thrust of a lyric.

The synths on most tracks are also a significant part of the Philly/Stylistics template. On second Chasing Rainbows they sound like shooting stars, or what I imagine shooting stars would sound like if recorded in the studio. Inevitably, this and other production predictability reflect their time and lack the memorable melodic impact of The Stylistics. The title track is a victim of this, moving to a more upbeat tempo when it's the ballads that lay claim to the album's best material, penultimate Stop and Get a Hold of Yourself returning to this. Closer What's Come Over Me is a signature saccharine sound in the Style of... The spoken narrative telling us 'I've never been to heaven but instead spent the night with you' is another limitation, but it did make me smile.

Two Faces Music 33

 

DeWolff & Dawn Brothers - Double Cream, album review

No Paradox Here Even If There Is

This is a fusion, but not fusion, and it is original r&b/soul, but actually is nu-r&b soul: in other words, this is more of the old-school soul sound that has occupied much of my music reviewing this year when I have reviewed so little.

Rest assured, there is no paradox in the authenticity of this excellent collection where the fusion is of two bands – the rock band DeWolff and the roots band Dawn Brothers – and they are both Dutch which is and isn’t surprising in this very American sound.

 

The tracks are all reminiscent of some precursor but I am not going to namecheck each or even every echo, apart from opener What Kind of Woman which is reminiscent of Al Green – not so much in the vocal but in the overall melody and orchestration.

 

There is a horn section added to the two bands and that makes a fusion of three components. Check out especially I’m Gone for a horn opening of sublime blasts which pans out to other superb climbs and rolls.