Rollin' and Smokin' With Ol' Willie
Another aural treadmill traverse tonight, this time striding
with the quintessential Country rhythms of Willie Nelson’s recent, glorious
album Heroes. At 79, Willie is still crooning
out the most sublime songs with a little bit of outlaw sensibility here and
there [Roll Me Up] and with classic
Country melody. Synonym son Lukas offers support throughout – and it is a more
dynamic duo than when Willie supports on his boy’s albums – and there is
further help provided by the likes of Merle Haggard, Snoop Dog [with smoking
proclivities rather than any Country affiliations], Kris Kristofferson, Jamey
Johnson, Sheryl Crow, Ray Price and others.
Opener A Horse Called
Music is a gorgeous cowboy lament with Merle Haggard, and next Roll Me Up [and smoke me before I die] keeps the proceedings lively and
irreverent. There is a clutch of beautiful lovelorn songs, like third That’s All There Is To The Song. Fourth No Place To Fly is another painful love
confession and the father/son singing of the Nelsons resonates with the varying
experience of loss and how to tug us along with the sorryful narrative. This is
followed by the two again on Every Time
He Drinks He Thinks of Her [but every
morning her memory fades away], so more from the heartache of such familiar
themes.
Sixth track Tom Wait’s Come
On Up To The House, sung as a superb Country gospel, sees Crow providing
emotive female vocal support, and it might have been endorphins aroused by the
brisk walking [my back is too fucked to run anymore] but I had goose bumps
listening to this on full volume to drown out the treadmill’s noisy swirl.
Pearl Jam’s Just Breathe sits more
comfortably within this whole album than on its own, but I struggle with the
cover of Coldplay’s The Scientist,
but that is largely down to my antipathy to their latter work. But with lines
like Come on back Jesus and pick up John
Wayne on the way from Come On Back
Jesus, the Country ideology is, thankfully, the predominant feature of this wonderful album.
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