As homage goes, this is as exacting as it can be: the inimitable sound of Earle playing the inimitable [paradox excused] songs of Clark.
What I mean is these are clearly Earle and these are clearly
Clark, singer and songwriter - both are both of these, but here they are, respectively,
one and the other.
A favourite on this fine collection is Desperado Waiting for a Train, such an iconic song that Earle
delivers with warmth and gravel and fiddle all in the mix,
So we just closed our
eyes and dreamed us up a kitchen
And sang another verse to that old song
And sang another verse to that old song
Next Rita Ballou
has Earle in semi-yodel form, pedal-steel and fiddle swarming with warm Clark
Country. That Old Time Feeling is
another wonderful cover, Clark’s poetry plaintively apt in more pedal-steel and
a slowed overall rendition,
And that old time feelin' limps through the night on a crutch,
Like an old soldier wonderin' if he's paid too much.
And that old time feelin' rocks and spits and cries,
Like and old lover rememberin' the girl with the clear blue eyes.
Like an old soldier wonderin' if he's paid too much.
And that old time feelin' rocks and spits and cries,
Like and old lover rememberin' the girl with the clear blue eyes.
And that old time feelin' goes sneakin' down the hall,
Like an old gray cat in winter, keepin' close to the wall.
And that old time feelin' comes stumblin' up the street,
Like an old salesman kickin' the papers from his feet.
Like an old gray cat in winter, keepin' close to the wall.
And that old time feelin' comes stumblin' up the street,
Like an old salesman kickin' the papers from his feet.
Having recorded his Townes
album, Earle’s other significant musical mentor, this is Earle’s observation on
recording this one for Clark,
No way I could get out
of doing this record, says Earle. When
I get to the other side, I didn’t want to run into Guy having made the Townes record and not one about him.
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