Showing posts with label Four Old Poems and Music. Show all posts
Showing posts with label Four Old Poems and Music. Show all posts

Sunday, 29 January 2012

Four Old Poems and Music

2. Purple Haze - 1967
[Ipswich, Suffolk]

Muddy Water licks,
the blues turned
purple as sound was fed back
again and again then
held until its release
railed against the walls:

electric insolence
in teenage bedrooms
and later in those
stranger places where
the music helped to spin
ceilings and floors.

Jimi's words were like whispers
when he attacked the notes
saying this was
living - said this in
feedback like an airplane,
machine gun and
Monterey fire rising it its
unexpected pyre,

and in a twelve-string, twelve-bar
acoustic dreamland
he drew along any neck,
singing his poet's croon
to illustrate the movements
in his own spinning head.

In the poetry of soft sounds
he sang language into vowels
of colour and shape,
other worlds to travel to
on turntable space
riding right into the
inner groove,

and it was later when deconstructing
the Star Spangled Banner
he sculptured Vietnam in a scream,
painted America in the wildness
of Woodstock's dream
and a generation's believing
that never died

until a tornado sang
out of control
  and a haze fell
  castles crumbled
  six remained six
  watchtowers dimmed
and the wind just cried.

Four Old Poems and Music

1. Surfer Girl - 1963
[Elk Horn, Iowa]

The significance of a great speech
passed me by in '63 -
sipping sodas to Surfer Girl
in an Elk Horn cafe put a young boy's thoughts
on custom cars, first sex and an
even more distant beach

whereas the slow drawl
of Kennedy's Ich bin ein Berliner or
the rhetoric in King's I had a dream
would have to wait like treasure
buried in the subconscious and
unearthed in some future recall.

My small town then held all realities:
older boys jerked off in disused rooms
as I turned away; ghosts in the haunted house
made me run as they mounted the stairs,
and the cicadas came in singing swarms
then left their empty shells stuck to trees.

Discovering the fear in living with this
meant more than why in Saigon
Quang Duc turned himself into a fireball
or how JFK's vision would disappear
down a Dallas boulevard - and looking back
it's the Beach Boys innocence I would miss.