Bulldozing a Pearl?
Picture a leader with
no fucking brains from Picture That
sums up the dour focus, not that I disagree, and in Déjà vu, Waters asks if he
had been God what would he have done, better. Arrogant, presumptuous, a tad
pompous? Possibly, but any more than brainless politicians with only a fraction
of the genuine sensibility, overblown or not?
I actually do not know my Pink Floyd like I’m sure many
would think one must, and I certainly haven’t followed Waters' musical career
post this, and indeed have read more about his political controversies over
time than his music. I recall The Wall
a little.
So I have no baggage; no expectations. I recognise
immediately that this collection of songs, 25 years since his last solo, is
obviously his signature sound. That could then suggest it is merely repetitive and/or
unimaginative. I don’t know and don’t care. I am enjoying this. He has a
grizzled spoken vocal, but he also pushes it through some impressive acrobatics
at times, and it works. The lyrics are deeply thoughtful – and that lends
itself to the accusation of pedantry – but I am happy to accept the earnest
care and concern. Waters really does seem to be ruminating on the ‘what if’ of
life today, though acknowledges we cannot
turn back the clock, cannot go back in time, but we can say ‘fuck you’ when we’re
not listened to in the Moody Blues sounding Broken Bones.
There are lots of soundgrabs from recorded voices, much his
own, and the radio, including the weather forecast, and this is derivative of
himself, but why not? The sound is at times progressive; at times it is
acoustic to foreground the simple melody, and always the message.
Title track Is This the Life We
Really Want? is really the epitome of message over melody. There are
brooding strings and other orchestration to enhance the list-lyrics of global
observation, and the narrative sounds exactly like Ian Drury. It is a litany.
It builds into the percussive opening of Bird
in a Gale, more soundgrabs from radio announcements, and this is Pink Floyd
in a sound we have heard many times before, or you may have and I haven’t, as I
said earlier on, and perhaps this informs my tolerance and general liking for
the apparent familiarity.
I like the humument of the cover and want to know what the
original text was. Should it be obvious?
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