Conception Conduit
I don’t know how I have missed this guy - but then I do. I
have written quite a bit lately about those superb artists I missed back in the 60s
and 70s, so only catching up with Alexi a few years down the Big-Ass Music Road
To Never Knowing It All isn’t such a tardy discovery. This debut album was
released in 2006.
The surprise is in immediately connecting with his acoustic
guitar playing as well as the strong tenor vocal. Commentaries I have already read
constantly reference Nick Drake [a fashionable badge for any folk-based
singer/songwriter] but it is quite apt here. There is also John Martyn in so
much of what I have been listening to, and he is Scottish so the vocal has echoes
of early Martyn before it was a wonderful jazz instrument and vernacular
archive. It’s in the sparse orchestration – cello is common - and other
production as well, but equally there are fuller and more eclectic additions,
as with the psychedelic track Home
that has fuzz and feedback bombarding around an Easternesque chant. When the
song segues into Row, Row, Row Your Boat,
it reminds of John Martyn’s own foray into Singing
In The Rain.
Fifth track Dream
About Flying is so steeped in that 60s/70s folk idiom that when written it must have automatically communed with the conception conduit of Jansch/Renbourne/Drake/Martyn –
or more precisely Pentangle with its mimicking percussion and double
bass.
I’m not going to say much more now and will review his last
release Towards The Sun of 2011 when
I’ve listened a little more. I have already
mentioned other commentaries on his debut release and their references to Nick
Drake – another vocal touchstone I noted was Colin Blunstone and that too works.
I also noted a slight critical carping about the lack of variety on Time Without Consequence, but that has
been exactly my preference as what you get is what I most like.
No comments:
Post a Comment