Sound of the Sirens – Abbe Martin and Hannah Wood – are in their moment. They are in their moment because of the recent national exposure on TV by appearing on the launch of the new TFI Friday programme with Chris Evans. Indeed, Evans had already championed them on his BBC2 radio programme. When he knelt at their feet at the end of their live and sparkling performance on the Channel 4 airing, there was genuine praise in the theatrics.
They are also in their moment because it is the culmination
of some years of hard graft, creativity, energy, gigging, regular airplay on
Tom Robinson’s radio show, a Best Acoustic Act for the South West Music Awards
in 2013 and significant festival exposure throughout 2014.
They are in their moment because of talent and the fortuity
that is attracted to talent but also offers its moment through the Laws of Musical
Sudden Good Luck where in a highly competitive and volatile industry the door
opens. On the evidence of last night’s gig at The Phoenix, both in its quality
and the reception of a packed, sold-out crowd, they have stormed through that
precarious but occasionally giving portal.
The musical quality of this duo is in many respects a given:
two sold-out gigs at The Phoenix and on the previous night in Bristol, the
successes already mentioned, and the fan base evident on Facebook and elsewhere
if you search online. What also impresses then in light of this is the humility
in their energy and joy when performing, and a genuine rapport between the two
on stage and also with the audience. Their banter is natural and inclusive.
The duo’s Facebook biog refers to their music as a foot-stomping, crowd-engaging female
folk/rock duo whose strengths lie in their passion and chemistry and that too is a genuine, honest account.
Chris Evans has referred to their playing/performance as tight as a drum and this was my exact view watching last night when
I thought of their impeccable harmonies and timing. It is a rousing folk if you
want a tag, but it is acoustic music, with guitar and mandolin largely, and the
addition of electric piano. A core feature too is the storytelling. Every song
is infused with intense lyrics – not necessarily in the actual narratives – but
in the attention to thoughtful rhyming, at times, but imagery and detail and
meaning. This is not pop music. But it is clearly popular, and they fully deserve
whatever furthering success comes their way.
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