Distorted Bliss
Opener White Horses sets the Low Dichotomy, a technical term – exclusive – where the fractured fuzz of the backdrop is overlaid with the beautiful harmonies, and at this song’s end there is a further disruptive staccato that segues into next I Can Wait, and the continuing ecstasy of this industrial-scratch and prettiness posits the fundamental reality of a musically perfect Distorted Bliss.
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