Full Moon Music Shine
I Am the Moon is a set of four lockdown albums inspired by the Nizami Ganjavi poem Layla and Majnun, not that I have looked to find the actual prompts and links matched to individual songs and their lyrics. It is like so much artistic production of the moment: the lockdown providing opportunity (perhaps necessity) for finding and reflecting – creative outlets as a sense of purpose in times that are in opposition to this. Something like that. Perhaps it is/was having the time to fill/to focus. Whatever, the four separate albums that make up the whole collect some of the most perfect music sustained across this amount of time and output. It is full of fine writing and performance – excellent vocals (mainly but not exclusively Susan Tedeschi) and great orchestrations/production. The range is across blues, gospel, balladry, soul – with a varying mix of west coast harmony, guitar solos taking their time and using effects, and of course the signature horns as powerhouse foundation. The title song from I. Crescent is gorgeous, as is All the Love from II. Ascension, this one running into a lengthy (they have the time) guitar and other instrumental conclusion which reminds me of when it was cool and natural to do so back in the late 60s/early 70s. Another great example of this latter is on the soulful funk of Gravity from III. The Fall where the guitar solo with effects is superb, as are the wonderful horns. For some sense of genre breadth, I'll just say that following song Emmaline reminds a little - just a little - of Dr Hook & the Medicine Show. Oh precursors. I am just about to listen to the fourth and final instalment IV. Farewell and I know every single song and performance will be as brilliant as all that has preceded.
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