Curved Air – Air Conditioning
[1970]
Curved Air wasn’t the first band to use rock [amplified]
violin –
East of Eden, Mercator Projected, and The Flock and It's a Beautiful Day with eponymous albums all
released these violin-full debuts in 1969, and there were others, as well
as jazz examples, but these didn’t have Sonja Kristina on lead vocal,
or the songwriting slant of classically trained Darryl Way and Francis
Monkman.
The line-up for this first outstanding album is: Sonja
Kristina – lead vocals; Darryl Way – electric violin and vocals; Francis Monkman
– lead guitar, organ, piano, mellotron, electric harpsichord, special effects
equipment and VCS3 synthasizer [sic]; Robert Martin – bass guitar; Florian
Pilkington-Miksa – drums: all as written on the cover. The title is presented
as both Air Conditioning [on the
spine] and Airconditioning [on the
cover]. A final piece of straight detail is that this release was one of, if
not the first lp picture disc made for commercial release. I didn’t get –
probably couldn’t afford – the picture disc when I purchased in 1970, but have
acquired one since.
The album begins with the memorable It Happened Today, and it’s Kristina’s vocal that dominates first
for me. But the piano chords are pounding their accompaniment, as is the bass
line and the thundering drums. Lead guitar runs throughout. All this heads to
the sudden shift of Way’s melodic and flowing violin solo, accompanied by a
distinctive bass line and swirling background synth. Second Stretch is an anthemic number with its
simple but rousing six-beat rhythm, and the distinctive feature in this song is
the rise to a violin and guitar duel where the dissonant conflict rises further
to a crescendo that breaks back to the anthem of its melodic line. This is
followed by the equally memorable Screw
which slows the pace and has the violin lead the melody which is picked up by
Kristina. There are orchestrated bars and then the violin rises, again, to a
peak with organ reverberations and it is all highly charged in its beautifully melodramatic
construction.
The album is replete with such finely crafted numbers. Side one
ends with Way’s brilliant instrumental Vivaldi.
Here is the electric rock violin played in all of its virtuoso pomp and power.
This playing is ably supported by the driving rhythms of bass, drum and lead
guitar, but it is Darryl Way’s composition that merges rock raunchiness with
lyrical strains and the at times moody tones, echoed and fuzzed as the song
builds and builds. I was lucky enough to see them play this live in Ipswich on
their first tour, and it was in the relatively small Arts Theatre/Centre where
the power and volume of this tour de force was wall-shatteringly stunning, as
it was to differing degrees when I saw them in South Devon at the Malborough
Village Hall in 2008. On side two of the vinyl there is another Way
instrumental, this time the sweetly short and soft Robert Martin penned Rob One. The penultimate track Situations – before the short reprise of
Vivaldi to close out the side –
utilises Monkman’s synthesisers to the full and is perhaps the most prog-rock
sound of the whole album.
The picture below is used for Curved Air’s more recent
Retrospective compilation album and if you wanted to sample beyond their first – and don’t
fancy obtaining all [but I would recommend this!] – then here is a good place
to start.
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