Poignant Yodel
Arrived today and now plays, more of the political [Government Surveillance Yodel] and puerile
[Septuagenarian in Love], set to
country-tinged harmonies or rock’n’roll parodies, there is ironic wisdom in the
humour, for example this sage advice from a band whose core members Ed Sanders
and Tuli Kupferberg will have obliterated so many personal bridges in their
irreverent lifetime,
Don’t burn a bridge
that you’re standing on
Never try to sleep
down a burning bank
Don’t try to cling
upon a burning plank.
Context is everything, and when you know these lines
actually follow
Oh isn’t it true that
sometimes
the river is more
beautiful
when the bridge is
gone
you realise the satire is tinged with real regret as well as
silliness. As these hippies rage in their old age the compromise is embraced in
the song’s chorus
Mix prudence with my
ashes;
Write caution on my
urn,
While life foams and
flashes,
Burn, bridges, burn.
It’s not an abnegation of the past but an awareness of the
present where death is the biggest joke of all, and it is the banal and mundane
that drives us to the grave as well as the bigger issues,
Please can I have my
job back?
Burn, bridges, burn
I don’t want a divorce,
after all
Burn, bridges, burn
I’d like a security
clearance, please forget my past
Burn, bridges, burn
I’d like to rent the
same apartment, I know I trashed it last year, but
Burn, bridges, burn
[Burn, Bridges, Burn]
And just when you might think The Fugs really have regressed to a primary concern for the domestic, they come up with an absolutely gorgeous song that reminds us of those bigger issues, and the ultimate purpose and power of the yodel,
It’s time to think
of ultimate things
-
yodel
what will happen to
the soul?
what will happen to
the soul?
[Ultimate Things]
Another beautiful song is A Western Ballad – For Allen Ginsberg [by band member Steve Taylor with echoes of both Arlo Guthrie and Roy Harper], its potent and political poetry
set to a gorgeous tune, and this is what The Fugs can merge so well: meaning with
melody.
There’s the wonderfully witty too: getting there with A Short
History Of The Human Race and its three core lines,
World War 1: The human
race stinks
World War 2: The human
race shrinks
World War 3: The human
race extincts
and is fully realised with IS, where Bill Clinton’s ‘apothegm’ is captured as a soundgrab to
be sampled within the song playfully, set up for its first ridiculing by the
lines,
Get ready, Mr.
Nietzsche Get Ready, Kierkegaard
Stand down, Mr. Hegel,
and Bertrand Russell too
‘cause someone has
come up with a homily
that’s sharper than
Plato and Wiittgenstein
& shivering with
truth
It depends on what the
meaning of the word IS is
It’s all good fun [in the album booklet’s introduction and description
of the songs, it is acknowledged that Clinton was ‘unfairly hounded by an interlocking
geek-pack of right wing nuts throughout his presidency’] so the attacking is
assuaged by understanding and explanation rather than any outright contempt –
the kind of contempt allowed for rebelling youth and revolutionaries, not
senior citizens even with attitude.
It’s not therefore the caustic comedy of early Fugs nor the
polished pillorying of It crawled into my
hand....., but it is still the brilliance of social and political commentary
coupled with clever songcraft, now tempered by the maturity of age and perhaps
knowing that raging against it all doesn’t stop it coming.
Ed and the Fugs here (and elsewhere) on the wonderful Allen GInsberg blog - http://ginsbergblog.blogspot.com/2012/01/fridays-weekly-round-up-57.html
ReplyDeleteThanks a.: new to me and looks interesting; loads to pursue on ES and The Fugs
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