The jazz underbelly of Martyn’s music, especially in live performance, is plump and fulsome on this wonderful 1991 Bristol recording, and having this limited edition cd now [just purchased] is some recompense for the nonsense of my having missed going at the time: only up the road really, and I should have known it was on.
It is a superb recording of a superb show. The band is occupied
by Martyn stalwarts of this period: Alan Thompson on bass, John Henderson on
drums, Andy Sheppard on saxes, and Spencer Cozens on keyboards. Absolutely
stonking.
And Martyn is in fine form: mixing his wonderful banter with
beautiful playing. He affects an American announcer’s voice at times, especially
paradoxical – comically so – as he foregrounds Couldn’t Love You More, and then when he starts, is wholly immersed
in the tender emotion of this great song; similarly so with a less lengthy
intro for Sweet Little Mystery: and as
so often, the mocking, self-effacing comment at the end of a sentimental and
serious song - a funny voice about its cheerfulness.
Elsewhere, the band punch out the most rousing jazz
backdrops; also ominous as on John Wayne,
Sheppard in particular quite outstanding, towering Cozens keyboards, and John’s
guitar sneering fuzz. His vocal by this stage in his career, and on jazzier
numbers like this, the other superlative instrument. The pumping band riffs on Johnny Too Bad stir the blood.
Cooltide – ‘in the
middle of being written....this is a bit of a shifter…a groove thing to send you home feeling cool’ – is a penultimate grooved funk; and this recording
concludes on John in mock announcer’s voice again, ‘not a dry eye in the house’,
lounge whistling, then the prettiest version of Never Let Me Go [stated as Let Me Love You Tonight on back cover], Martyn’s vocal making me well up as only
listening to him can continue to make me so pathetically prone.
This sounds superb-do you have a link/website address? Would love to get it if there are any remaining.
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ReplyDeleteCheers, Some Awe.
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