Progress
At the end of October I reviewed James’ 2009 album Build Me This which had a current free
noisetrade download offer, re-introducing his work to the public. It was a ‘reserved’
review, largely affected by what I felt was the wispy vocal and songs that
couldn’t sustain the strength of album opener Coal War. I also had an instinct that this album and that song
suggested the promise of a stronger musician.
Joshua James’ latest From
the Top of Willamette Mountain delivers that promise with a mature and
melodic development. The maturity is, for me, in the vocal where what I identified
before as similar to Ray LaMontagne [at James’ rougher best] is sustained
across the whole album. Not a wisp within hearing distance. This does matter and provides the vocal depth
the tunes and lyrics deserve. There is also more expansiveness in the overall
production provided by Richard Swift that includes some lush harmonies, not
dissimilar to his own work as a recording artist.
First track Mystic
is a good example where a simple but effective song gains resonance through a
rousing chorus, especially as it rises out of the slow deliberation of the song’s
main melody. Second Queen of the City
provides a quick contrast with its rockier rhythms and some tight harmonising
on the main vocal. Fourth Doctor, Oh
Doctor, although layered with echoing guitar, has James’ vocal to the fore
in folk mode, narrating as a main focus. Fifth So Do I begins with rather jaunty handclap rhythms, but this grows
into a sweet crescendo of harmony singing, echoing guitars again layered within
the mix. The title track is the sixth song and returns to that folk mode with
fleeting moments sounding like Simon and Garfunkel’s The Boxer. Seventh Ghost in
the Town sustains this mature progress with another simply written song
that is shaped to sonic effect by tight harmonies and more Lanoisesque
guitarscapes.
There are eleven tracks in all and it is pleasing
throughout. It will be interesting to continue following this thoughtful singer-songwriter’s
progress, especially if he replicates that made between this and his previous
album.
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