Relevant Digression
Watching Lizz Wright on last night’s Later …with Jools Holland it was striking, immediately, what a
superb vocalist she is, with such a natural depth of tone and effortless
clarity in her singing. I think this was enhanced by a physical repose too, and
all I could think about – apart from this instant quality – was the ‘pretenders’
status of so many other vocalists.
I know this has been a bugbear of mine: a disdain for the
affected slur of so much contemporary female vocalese, and my being particular
about anybody’s singing. On Jools, it
was brave of John Newman [I guess] to sing alongside Charlie Wilson, the latter’s
voice seeming to me from another musical sphere altogether by comparison – I know
that isn’t fair – and whilst I still feel indifferent to Newman as a singer,
his second performance with band was definitely funky.
I’m digressing from writing about Wright as there is some
relevance: Everything Everything performed and hardly have a focus on good
vocals, but the energy and rawness was totally apt and affecting; the punkfolk
of Lynched was also dynamically raw but was at times framed within perfect
four-part harmony; Labi Siffre was, as ever, sublime [now that is gorgeous
singing] and the Sleaford Mods belted it out with a mesmerising ‘strop’: well
one singing; one drinking.
Lizz Wright sang The
New Game from her latest album Freedon
& Surrender which I am yet to hear, and its bluesy funk was punctuated
by a sweet chorus in which her voice changed its sassy tack to soulful cruise.
Wonderful. So today I have been listening to her 2008 album The Orchard and it is also brilliant,
with self-penned tracks like When I Fall
being a stunning example of writing and singing, and a cover of the Page/Plant Thank You being a bravely beautiful
version.
Lizz Wright is indeed a formidable talent. Such a rich and effortless performance on Jools this week.
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