1-in-36 Every Time
This is country rock at its country best: ruled by rock’s
core. I’ll admit that line complicates an otherwise totally uncomplicated sound
and album, but ‘it does what it says on the tin’ is too much the cliché these
days, as nail on the head as it is.
OK. Enough playing.
This is a rock-solid album with Stacie Collins in fine
country-rock vocal throughout on generic-stonkin’ tracks, almost all enhanced
by her great harp playing [and I say ‘almost’ only because she doesn’t always play
the harp on every track, as on Gonna Fly].
Opener Lost and Found
does, however, begin with great blowin’, and the country-leaning rock sets a
rousing template for the whole album. There is fine harp’n’guitar dueting here
too. Second King of Rock is a
riff-chugger with more superb interplay, and I like the vocal chorus providing pop
irony to the song’s grit.
Fourth It’s Over
slows it done a bit, and the blues tone showcases Collins’ emotive vocal
delivery, the song ending on sweet harmonies and guitar. This is an excellent number.
There’s Tex-Mex on fifth Heart on My
Sleeve adding to the album’s engaging variety. Seventh Can’t Do Without You begins with a harp cry that sets up the brilliant
brooding to follow. Next Keep Rollin’
showcases again Collins’ powerful vocal, the acoustic country-folk underpinned
with blues harp.
Penultimate track Later
Than You Think is more atmospheric blues, and closer Blood Moon is a sensual extension of that emotive blueprint, the
song rising along caustic guitar, sweet harmonies and harp-wails to a crescendo
of sensational sound.
Snake-eyes rolled every time. A superb album.
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