Electrically Eclectic
I’ve now given this album a proper roadtest – well, a
treadmill test outside in the freezing shed where I worked-out and listened,
and Rebecca Ferguson thoroughly entertained me to a genuine head of steam, a
good enough musical gauge for today, especially as it’s bourbon night and I
normally prefer a more lethargic preparation in honour of what’s to come so
effortlessly.
Two of my previous Surprise
Songs instincts on her have held up to today’s fuller scrutiny: it is a ‘fine’
album throughout – not outstanding, but definitely more than average; and track Shoulder To Shoulder is the
standout on the album: just listen to that beautifully held note on the word free. This is an emotive and
convincingly sung track, a genuine heartache lived and revisited in the lyric. Opener
Nothing’s Real But Love is a bold starter
with its simple acoustic guitar beginning, and the soulful vocal is firmly in
control - a hardship also lived and revisited in this lyric. The song builds
with just enough backing vocal and organ accompaniment adding a gospel feel,
but not overdone.
There are derivative sounds as well but never more than reflections
of genre rather than other artists and/or others’ songs. I like track six Fighting Suspicions which begins as a
slow brooding ballad - piano and brass in dirge control - and for a brief
moment I imagine Tom Waits dueting his growl to Ferguson’s soulsilk croon, but
the track quickly funks up and is just as cool for this. Seventh Teach Me How To Be Loved is essentially
piano, cello and voice, and quite simply, Ferguson can sing distinctively in
such unobtrusive company.
Since posting a positive reference to this album as my
second Surprise Songs I’ve had two
comments, both expressing shock! The first, on this blog, is from someone who
also likes the album which is great; the second, sent by email, is from a friend who refuses
to even listen to the album [and he’s entitled with his impeccable musical
tastes and our occasional if strong musical differences which merely demonstrate
the brilliant variation of opinion]. I mention because about this time last
year I also referenced, positively, another X-Factor singer, Cher Lloyd and observed
that I thought she too has a genuinely solid voice/vocal. Her album Sticks and Stones hasn’t lived up to my
expectations because it is more controlled and influenced by production values
and interferences – these beyond her control and, perhaps, mature oversight –
but I still believe she has talent and potential and I look forward to that being
realised in the future, for this listener at least. I also mention because I’m pleased to
engender any interest and comment, but readers shouldn’t be shocked by my
eclectic tastes – if it’s good it’s good.
I have always rated this girl's voice -she actually reminds me of a young Aretha Franklin on occasion.
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